{"id":52335,"date":"2026-07-17T19:42:22","date_gmt":"2026-07-17T17:42:22","guid":{"rendered":"https:\/\/www.world-film-festival.com\/?p=52335"},"modified":"2026-08-07T22:11:42","modified_gmt":"2026-08-07T20:11:42","slug":"grand-winners-2026","status":"publish","type":"post","link":"https:\/\/www.world-film-festival.com\/en\/grand-winners-2026\/","title":{"rendered":"GRAND WINNERS 2026"},"content":{"rendered":"

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GRAND WINNERS 2026<\/u><\/strong><\/p><\/h3><\/span>

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FILMS & MUSIC<\/h2>\n
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BEST NARRATIVE SHORT FILM<\/div>\n
MOTHERS<\/div>\n
DIRECTED BY CHOUKRI ROUHA<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST NARRATIVE FEATURE FILM<\/div>\n
WHAT NOW?<\/div>\n
DIRECTED BY JOCELYN FORGUES<\/span> (CANADA)<\/span><\/div>\n<\/div>\n
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BEST INDIE FEATURE (LOW BUDGET)<\/div>\n
RAGING MIDLIFE<\/div>\n
DIRECTED BY ROB TAYLOR<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
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BEST INDIE SHORT (LOW BUDGET)<\/div>\n
GREED<\/div>\n
DIRECTED BY ALVARO PRUNEDA<\/span> (CHILE)<\/span><\/div>\n<\/div>\n
\n
BEST DOCUMENTARY FEATURE<\/div>\n
CHRONICLES OF THE INCONVENIENT TRUTH<\/div>\n
DIRECTED BY KALOIAN NIKOLOV<\/span> (BULGARIA)<\/span><\/div>\n<\/div>\n
\n
BEST DOCUMENTARY SHORT<\/div>\n
DEKHA KYA?<\/div>\n
DIRECTED BY ADITYA BHASIN<\/span> (INDIA)<\/span><\/div>\n<\/div>\n
\n
BEST HUMANITARIAN FILM (SHORT)<\/div>\n
WHAT WE CARRIED<\/div>\n
DIRECTED BY CAROLINA PEREIRA<\/span> (STATE OF PALESTINE)<\/span><\/div>\n<\/div>\n
\n
BEST HUMANITARIAN FILM (FEATURE)<\/div>\n
VIA DOLOROSA: THE PATH OF SORROWS<\/div>\n
DIRECTED BY AMIRA KHALIL HANANIA<\/span> (STATE OF PALESTINE)<\/span><\/div>\n<\/div>\n
\n
BEST SOCIAL JUSTICE (SHORT)<\/div>\n
VIGILANTE<\/div>\n
DIRECTED BY OTTO BATHURST<\/span> (UNITED KINGDOM)<\/span><\/div>\n<\/div>\n
\n
BEST SOCIAL JUSTICE (FEATURE)<\/div>\n
VINDICATION TO VICTORY<\/div>\n
DIRECTED BY MATTHEW BRUNDIGE<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST HUMAN RIGHTS FILM<\/div>\n
AWIN<\/div>\n
DIRECTED BY BEHROOZ BAGHERI<\/span> (IRAN)<\/span><\/div>\n<\/div>\n
\n
BEST LGBTQ FILM<\/div>\n
JAMEELA<\/div>\n
DIRECTED BY ZAINAB MALIK, MINA ISABELLA JAFRIMALIK<\/span> (PAKISTAN)<\/span><\/div>\n<\/div>\n
\n
BEST SUPER SHORT FILM<\/div>\n
MONSIEUR FIGARO<\/div>\n
DIRECTED BY SARAH BENHAMMOU-LIONNARD<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST ANIMATION FILM<\/div>\n
WAR BEAR<\/div>\n
DIRECTED BY DAVID MEIGH, JOSE ALMEIDA<\/span> (BRAZIL, UNITED KINGDOM)<\/span><\/div>\n<\/div>\n
\n
BEST ARTIFICIAL INTELLIGENCE FILM<\/div>\n
OG PRIME<\/div>\n
DIRECTED BY STEFFAN BUSSER<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST CAUSE-DRIVEN FILM<\/div>\n
IT'S NOT JUST A RIDE HOME<\/div>\n
DIRECTED BY CALEB HANSEN, KATHRYN MCCLAIN, MICHAELA CALLIE, REEGEN PRICE<\/span> (CANADA)<\/span><\/div>\n<\/div>\n
\n
BEST DIRECTOR FEATURE FILM<\/div>\n
BRIAN KING<\/div>\n
FOR X-COMMUNICADO<\/span> (CANADA)<\/span><\/div>\n<\/div>\n
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BEST DIRECTOR SHORT FILM<\/div>\n
HARRISON ELLIS<\/div>\n
FOR THE RIPPER<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST FEMALE DIRECTOR SHORT FILM<\/div>\n
THE EMERALD PURSE<\/div>\n
DIRECTED BY KIMBERLY OLSEN<\/span> (SOUTH AFRICA, UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST FEMALE DIRECTOR FEATURE FILM<\/div>\n
HAE SUN HONG<\/div>\n
FOR WELCOME TO VEGAS<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
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BEST DIRECTOR INDIE SHORT<\/div>\n
YARD SALEING<\/div>\n
DIRECTED BY TOM LOGAN<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST DIRECTOR INDIE FEATURE<\/div>\n
JEAN-MICHEL DELPHIN LOUTOBY<\/div>\n
FOR LES FRACTURES INVISIBLES<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST DIRECTOR OF THE FUTURE<\/div>\n
DAVE RAJKUMAR, TIMOTHY JOSHUA MOUA<\/div>\n
FOR THE DEADMAN'S PLAYGROUND<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST FUTURIST FILMMAKER<\/div>\n
DONGHUN LEE<\/div>\n
FOR SERVANTS IN DISGUISE<\/span> (SOUTH KOREA)<\/span><\/div>\n<\/div>\n
\n
BEST DIRECTOR DOCUMENTARY FEATURE<\/div>\n
GOUTHAM SHANKAR<\/div>\n
FOR MASAI MARA: KINGDOM OF THE WILD<\/span> (INDIA)<\/span><\/div>\n<\/div>\n
\n
BEST DIRECTOR DOCUMENTARY SHORT<\/div>\n
EVIE JOY<\/div>\n
FOR LOVE. [NONFICTION] - EPISODE ONE: SOULMATES.<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST FIRST TIME FILMMAKER (SHORT)<\/div>\n
LINA MARIE DICONTI<\/div>\n
FOR GLOOM<\/span> (GERMANY)<\/span><\/div>\n<\/div>\n
\n
BEST FIRST TIME FILMMAKER (FEATURE)<\/div>\n
TIM JAMES BROWN<\/div>\n
FOR MODEM<\/span> (UNITED KINGDOM)<\/span><\/div>\n<\/div>\n
\n
BEST YOUNG FILMMAKER<\/div>\n
EMILIE LOWE<\/div>\n
FOR WHERE DEAD THINGS GROW<\/span> (AUSTRALIA)<\/span><\/div>\n<\/div>\n
\n
BEST DIRECTOR SUPER SHORT FILM<\/div>\n
ALASTAIR ROM\u00c3NO<\/div>\n
FOR ANGELIC LIGHT<\/span> (GREECE)<\/span><\/div>\n<\/div>\n
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BEST ACTRESS IN A FEATURE FILM<\/div>\n
C\u00c9CILE BECQUERELLE<\/div>\n
FOR MAGDALA<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST ACTOR IN A FEATURE FILM<\/div>\n
PIERRE-PAUL ALAIN<\/div>\n
FOR WHAT NOW?<\/span> (CANADA)<\/span><\/div>\n<\/div>\n
\n
BEST ACTRESS IN A SHORT FILM<\/div>\n
L\u00cdVIA GAUDENCIO<\/div>\n
FOR WHERE ARE YOU NOW?<\/span> (BRAZIL)<\/span><\/div>\n<\/div>\n
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BEST ACTOR IN A SHORT FILM<\/div>\n
ZACH CLIFFORD<\/div>\n
FOR WHERE DEAD THINGS GROW<\/span> (AUSTRALIA)<\/span><\/div>\n<\/div>\n
\n
BEST ACTOR OF THE FUTURE<\/div>\n
ADRIEN GELAY<\/div>\n
FOR COME BACK<\/span> (BELGIUM)<\/span><\/div>\n<\/div>\n
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BEST ACTRESS OF THE FUTURE<\/div>\n
KATY ANN MAPLESDEN<\/div>\n
FOR THE RED BOOK<\/span> (CYPRUS)<\/span><\/div>\n<\/div>\n
\n
BEST YOUNG ACTOR IN A SHORT FILM<\/div>\n
JASIEM HAMAD IBRAHIM<\/div>\n
FOR FROM YOU TO YOU<\/span> (KUWAIT)<\/span><\/div>\n<\/div>\n
\n
BEST ACTING DUO<\/div>\n
ELIANA MANVATI, JOHN CAMPANILE<\/div>\n
FOR BETWEEN LEFT AND RIGHT<\/span> (ITALY, UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST ENSEMBLE CAST<\/div>\n
WILL ROBERTS, CURT LAMBERT, MANUELA SCHNEIDER, BRIANNA YOUNG<\/div>\n
FOR THE SEAMSTRESS<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST ACTRESS IN AN INDIE FILM<\/div>\n
SERAPHINE HARLEY<\/div>\n
FOR MAN EATER<\/span> (AUSTRALIA)<\/span><\/div>\n<\/div>\n
\n
BEST ACTOR IN AN INDIE FILM<\/div>\n
ANDREW STEEL<\/div>\n
FOR MELODIES OF THE ABYSS<\/span> (AUSTRALIA)<\/span><\/div>\n<\/div>\n
\n
BEST STUDENT FILM<\/div>\n
TILL DEATH DO US PART<\/div>\n
DIRECTED BY ZARIASH KADYRBEKOVA<\/span> (UNITED ARAB EMIRATES)<\/span><\/div>\n<\/div>\n
\n
BEST HEALTH FILM<\/div>\n
THE CALL<\/div>\n
DIRECTED BY LAURA BOYD OWEN, CHARLES ENGLISH<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST BIOGRAPHICAL FEATURE FILM<\/div>\n
RISEN<\/div>\n
DIRECTED BY MOE MASOUDI<\/span> (CANADA)<\/span><\/div>\n<\/div>\n
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BEST PSYCHOLOGICAL FILM<\/div>\n
SACRIFICE<\/div>\n
DIRECTED BY GIOVANNI LODIGIANI<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST ENVIRONMENTAL FILM<\/div>\n
THE LAST SUN<\/div>\n
DIRECTED BY NIGEL CANEPA, ORLANDO CHARVETTO<\/span> (GIBRALTAR)<\/span><\/div>\n<\/div>\n
\n
BEST NATURE\/WILDLIFE FILM<\/div>\n
THE RIVER AT THE BOTTOM OF MY GARDEN<\/div>\n
DIRECTED BY GUILLAUME MAZILLE<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST DANCE FILM<\/div>\n
ROOMS<\/div>\n
DIRECTED BY LEVI ELIZAGA<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST PHILOSOPHICAL FILM<\/div>\n
LA JESUS<\/div>\n
DIRECTED BY RICHARD DAVID CHARLES BODDINGTON<\/span> (CANADA)<\/span><\/div>\n<\/div>\n
\n
BEST DARK COMEDY<\/div>\n
CENTAURS<\/div>\n
DIRECTED BY STELLA MICHAEL<\/span> (UNITED KINGDOM)<\/span><\/div>\n<\/div>\n
\n
BEST WEIRD\/WTF FILM<\/div>\n
THE APPLICATION<\/div>\n
DIRECTED BY JOEY BROOKS<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST HORROR FILM<\/div>\n
WHO GOES THERE?<\/div>\n
DIRECTED BY GAGE LOONEY<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST EXPERIMENTAL FILM<\/div>\n
YOU ARE A BEETLE CARVED EXQUISITE FROM MY COFFEETABLE<\/div>\n
DIRECTED BY HARRY ROSS<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST FILM NOIR<\/div>\n
GUNS IN PARADISE<\/div>\n
DIRECTED BY JAMES BOSS<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST FILM ON DISABILITY<\/div>\n
THE GIFT OF A SECOND WIND<\/div>\n
DIRECTED BY LAURENT ETCHAMENDY<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST HISTORICAL FILM<\/div>\n
SKIRITES TH ELEITE FORCE OF KING LEONIDAS<\/div>\n
DIRECTED BY SPIROS GEORGE FREN<\/span> (GREECE)<\/span><\/div>\n<\/div>\n
\n
BEST METAVERSE<\/div>\n
DSL COLLECTION<\/div>\n
BY DOMINIQUE LEVY, SYLVAIN LEVY<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST WEB\/TV PILOT<\/div>\n
ETHEL & ERNIE<\/div>\n
DIRECTED BY JULIA WACKENHEIM<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST WEB\/TV SERIES<\/div>\n
THE RED BOX<\/div>\n
DIRECTED BY IKE MCKRIS ONYEKWERE<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST MOBILE PHONE FILM (SHORT)<\/div>\n
THE LAST REHEARSAL<\/div>\n
DIRECTED BY J. V. FERNANDES<\/span> (BRAZIL)<\/span><\/div>\n<\/div>\n
\n
BEST FASHION FILM<\/div>\n
ROSE TORRENTE, MA VIE EN HAUTE COUTURE<\/div>\n
DIRECTED BY ALON ASSOULINE<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST INSPIRATIONAL FILM<\/div>\n
WHO KNOWS OSCAR THE CLOWN<\/div>\n
DIRECTED BY JOHN CHARLES GERALD<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST FAMILY\/CHILDREN FILM<\/div>\n
SECRETS OF WICKENSBURG<\/div>\n
DIRECTED BY RICHARD DAVID CHARLES BODDINGTON<\/span> (CANADA)<\/span><\/div>\n<\/div>\n
\n
BEST DRAMA FILM<\/div>\n
SCARS ON SHADOW<\/div>\n
DIRECTED BY JAYSON LIEW<\/span> (MALAYSIA)<\/span><\/div>\n<\/div>\n
\n
BEST EDITING<\/div>\n
MAKENNA BUHLER<\/div>\n
FOR LOVE & GOLD<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST CINEMATOGRAPHY<\/div>\n
MICHEAL STREET<\/div>\n
FOR REAR DESERT<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST SOUND DESIGN<\/div>\n
PROPELLER STUDIOS INC.<\/div>\n
FOR X-COMMUNICADO<\/span> (CANADA)<\/span><\/div>\n<\/div>\n
\n
BEST ASIAN FILM<\/div>\n
CAUSE-AND-EFFECT TRANSMIGRATION<\/div>\n
DIRECTED BY ZHAO YOUSHEN<\/span> (CHINA)<\/span><\/div>\n<\/div>\n
\n
BEST AFRICAN FILM<\/div>\n
BEYOND THE GENOCIDE<\/div>\n
DIRECTED BY ZION SULAIMAN MUKASA MATOVU<\/span> (RWANDA, UGANDA)<\/span><\/div>\n<\/div>\n
\n
BEST INDIGENOUS \/ NATIVE PEOPLES FILM<\/div>\n
AKABABURU: EXPRESSION OF ASTONISHMENT<\/div>\n
DIRECTED BY IRATI DOJURA LANDA YAGAR\u00cd<\/span> (COLOMBIA)<\/span><\/div>\n<\/div>\n
\n
BEST AMERICAN FILM<\/div>\n
THE VANISHING OF DOLORES WULFF<\/div>\n
DIRECTED BY PAUL SADOWSKI<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST INDIAN FILM<\/div>\n
DEKHA KYA?<\/div>\n
DIRECTED BY ADITYA BHASIN<\/span> (INDIA)<\/span><\/div>\n<\/div>\n
\n
BEST BLACK CULTURE FILM<\/div>\n
A BOY NAMED BOBBY<\/div>\n
DIRECTED BY ADEDAPO AKISANYA<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST EUROPEAN FILM<\/div>\n
MY DEAREST MOTHER<\/div>\n
DIRECTED BY MICHAEL BONELLO GHIO<\/span> (MALTA)<\/span><\/div>\n<\/div>\n
\n
BEST FOREIGN FILM<\/div>\n
IMA<\/div>\n
DIRECTED BY SMART EDIKAN<\/span> (NIGERIA)<\/span><\/div>\n<\/div>\n
\n
BEST FRENCH FILM<\/div>\n
YOU'LL BE A MAN, MY SON<\/div>\n
DIRECTED BY YESSIN CHOUAIB<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST OCEANIAN FILM<\/div>\n
CORALS LAST STAND<\/div>\n
DIRECTED BY JANE HAMMOND<\/span> (AUSTRALIA)<\/span><\/div>\n<\/div>\n
\n
BEST ARABIC FILM<\/div>\n
NUSEIRAT 274<\/div>\n
DIRECTED BY OBADA ALBAGHDADI<\/span> (QATAR)<\/span><\/div>\n<\/div>\n
\n
BEST JEWISH FILM<\/div>\n
THE ONE MAN SHOW<\/div>\n
DIRECTED BY HAGGAR SHOVAL<\/span> (ISRAEL)<\/span><\/div>\n<\/div>\n
\n
BEST LATINO \/ HISPANIC FILM<\/div>\n
DELIRIUM<\/div>\n
DIRECTED BY ALEXIS HERN\u00c1NDEZ PE\u00d1A<\/span> (MEXICO)<\/span><\/div>\n<\/div>\n
\n
BEST COMPOSER OF THE FUTURE<\/div>\n
RODRIGO VOLPONI<\/div>\n
FOR WARAO OF THE WATERS<\/span> (BRAZIL)<\/span><\/div>\n<\/div>\n
\n
BEST SOUNDTRACK<\/div>\n
MIRANDA TAN & HAYDEN THOMPSON<\/div>\n
FOR LOVE & GOLD<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST VARIETY SINGER<\/div>\n
ANNA KHANINA<\/div>\n
FOR I'M BACK<\/span> (UKRAINE)<\/span><\/div>\n<\/div>\n
\n
BEST CHOREOGRAPHY<\/div>\n
EMMA EVELEIN<\/div>\n
FOR BORN INTO YOU<\/span> (NETHERLANDS)<\/span><\/div>\n<\/div>\n
\n
BEST ORIGINAL SONG<\/div>\n
AMERICA, I CAN'T BREATHE<\/div>\n
BY MARVIA JEAN BROOKS, \"JON-JOHN\" ROBINSON<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST MUSIC STORYTELLING<\/div>\n
BOY SCIENTIST<\/div>\n
BY SUSAN LIM, CHRISTINA TEENZ TAN, RON J. DANZIGER, MANU MARTIN, TOM BALL<\/span> (SINGAPORE)<\/span><\/div>\n<\/div>\n
\n
BEST EXPERIMENTAL MUSIC<\/div>\n
INVISIBLE ATTRACTION<\/div>\n
DIRECTED BY YANG ZHANG<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST MUSIC VIDEO<\/div>\n
DRIVE YOU LIKE A CADILLAC<\/div>\n
DIRECTED BY RYAN MAW, SACHA CARLSON, SKYLER POILEY<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST SONG<\/div>\n
FROM THE WATER<\/div>\n
BY AJEET<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n<\/div>\n
<\/div>\n

PRIX DU PUBLIC 2026<\/h2>\n
\n
COME BACK<\/div>\n
DIRECTED BY IRINA VELEZ CRESPO, DAVID GELAY, MOSTAFA BELBACHA<\/span> (BELGIUM)<\/span><\/div>\n<\/div>\n
<\/div>\n

SCRIPTS<\/h2>\n
\n
\n
BEST FEATURE SCRIPT<\/div>\n
THE LINGUIST<\/div>\n
WRITTEN BY MAGGIE TSAVARIS<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST SHORT SCRIPT<\/div>\n
SERVED<\/div>\n
WRITTEN BY JOHN NORRIS RAY<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST ORIGINAL SCRIPT<\/div>\n
OPERATION VENDETTA<\/div>\n
WRITTEN BY AMIR SULTAN COLE<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST WOMEN SCRIPT<\/div>\n
LUPAE<\/div>\n
WRITTEN BY EDRIS CAIGE<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST BIOGRAPHICAL SCRIPT<\/div>\n
DARE TO DREAM<\/div>\n
WRITTEN BY SARAH J. ACKROYD<\/span> (UNITED KINGDOM)<\/span><\/div>\n<\/div>\n
\n
BEST TRUE STORY SCRIPT<\/div>\n
MYTHOMANIA<\/div>\n
WRITTEN BY NICK JONES<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST DARK COMEDY SCRIPT<\/div>\n
VAMPAW<\/div>\n
WRITTEN BY DAVID JUNG NELSON<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST COMEDY SCRIPT<\/div>\n
ONE OF THE GUYS<\/div>\n
WRITTEN BY ANDREW BREEN<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST DRAMA SCRIPT<\/div>\n
BRIGHTON ROAD<\/div>\n
WRITTEN BY RACHEL WALSH-WILLIAMS<\/span> (UNITED KINGDOM)<\/span><\/div>\n<\/div>\n
\n
BEST ACTION SCRIPT<\/div>\n
HYPOG\u00c9E<\/div>\n
WRITTEN BY VINCENT LOUIS CLERGUE<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST THRILLER SCRIPT<\/div>\n
WHERE NAMES FALL SILENT<\/div>\n
WRITTEN BY FABRICE SEYDOUX<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST SCI-FI SCRIPT<\/div>\n
HUMAN ELEMENT<\/div>\n
WRITTEN BY DARIUSZ KRASZEWSKI<\/span> (POLAND)<\/span><\/div>\n<\/div>\n
\n
BEST FANTASY SCRIPT<\/div>\n
CUPID'S KILL LIST<\/div>\n
WRITTEN BY AURELIE BERTOUT<\/span> (FRANCE)<\/span><\/div>\n<\/div>\n
\n
BEST ANIMATION SCRIPT<\/div>\n
THE HALL OF FORGOTTEN DREAMS<\/div>\n
WRITTEN BY ASIA CHARICE SCHMIDT<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST FAMILY\/CHILDREN SCRIPT<\/div>\n
WINGS<\/div>\n
WRITTEN BY MAJA PAVIC<\/span> (CROATIA)<\/span><\/div>\n<\/div>\n
\n
BEST SOCIAL JUSTICE SCRIPT<\/div>\n
THE 28TH AMENDMENT<\/div>\n
WRITTEN BY NADER SALEM<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST LGBTQ SCRIPT<\/div>\n
IT'S NOT YOU<\/div>\n
WRITTEN BY TANNER HANEY<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST INSPIRATIONAL SCRIPT<\/div>\n
CHOSEN ANYWAY<\/div>\n
WRITTEN BY RINAD BSHARAT<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST TELEVISION SCRIPT<\/div>\n
THE VELINSK EXPERIMENT<\/div>\n
WRITTEN BY MARIANA SALVATI<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST SERIES PILOT SCRIPT<\/div>\n
BAD THERAPIST<\/div>\n
WRITTEN BY MELISSA STENGER<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST ARTIFICIAL INTELLIGENCE SCRIPT<\/div>\n
ALEX<\/div>\n
WRITTEN BY NICK HALAVINS<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST 1ST TIME SCREENWRITER (FEATURE)<\/div>\n
DESPERATE COVENANT<\/div>\n
WRITTEN BY IRINA TORIAN<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST 1ST TIME SCREENWRITER (SHORT)<\/div>\n
HYUNWOO JO<\/div>\n
FOR THE HOUSE OF THE RISING SUN<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST STUDENT SCREENWRITER (SHORT)<\/div>\n
WARREN CAMP<\/div>\n
FOR THE FELIX TAPES<\/span> (UNITED STATES)<\/span><\/div>\n<\/div>\n
\n
BEST SCREENWRITER OF THE FUTURE<\/div>\n
SAMUEL HIORNS<\/div>\n
FOR NEW TOWN<\/span> (UNITED KINGDOM)<\/span><\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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