{"id":37601,"date":"2021-09-18T12:46:00","date_gmt":"2021-09-18T10:46:00","guid":{"rendered":"https:\/\/www.world-film-festival.com\/an-interview-with-julian-black-antelope-director-of-secret-history-the-wild-west\/"},"modified":"2024-04-11T19:31:25","modified_gmt":"2024-04-11T17:31:25","slug":"an-interview-with-julian-black-antelope-director-of-secret-history-the-wild-west","status":"publish","type":"post","link":"https:\/\/www.world-film-festival.com\/en\/an-interview-with-julian-black-antelope-director-of-secret-history-the-wild-west\/","title":{"rendered":"AN INTERVIEW WITH JULIAN BLACK ANTELOPE, DIRECTOR OF “SECRET HISTORY: THE WILD WEST”"},"content":{"rendered":"

Winner: Best Trailer – \u00c9dition Juin 2021<\/p>\n<\/div>

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Thank you Julian for having us. What led you to decide and reveal this “Secret History”?<\/p>\n<\/div>

Growing up in southern Alberta, I quickly found the history being taught to us in mainstream public schools was very one sided. There was hardly ever any mention of the Indigenous leaders and their accomplishments\/contributions. The focus in Canada was always through the western perspective instead of the first peoples\u2019, whose land this truly is.<\/p>\n<\/div>

The trailer is really a teaser! We can already guess there will be history, stories, magic, teachings and more in the series. How did you organize your research to create the series?<\/p>\n<\/div>

I was fortunate enough to grow up with Blackfoot elders. On the reserves within the Blackfoot confederacy (Kainai, Piikuni, Siksika, Aamskaapiipiikuni), we have many old people who are knowledge keepers in every sense of the word. Traditionally, all knowledge is passed down orally. How something is told to you is how it must be told again, so nothing gets changed or lost.<\/p>\n

The old people are strict like that. For the Blackfoot, the people are still very rich in the traditional ways of knowing, ceremonies, societies etc, so the knowledge is still intact. I am fortunate enough to be part of that. The series is about what\u2019s NOT written in history books.<\/p>\n<\/div>

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Would you care to reveal a little more than your teaser does? For example, does the series go by themes, or is it chronologically arranged? Or any other clue(s) you’re inclined to leak\u2026<\/p>\n<\/div>

Season 1 \u201cThe Wild West\u201d, of the Secret History series, focuses on western Canada and the people who shaped this country. We delve into the mystical and metaphysical influences behind these historical indigenous icons as a way to invite interest into their achievements.<\/p>\n

We explore the lives of characters like Jerry Potts, whose spirit protector was cat that enables Jerry to survive nearly 40 gun battles without a scratch, or Calfshirt; a powerful leader who, through a pact with a grizzly spirit, begat the power to be impervious to bullets or knives; or even Lowhorn who had the power to reincarnate himself and would inevitably defy conventional explanation as there was undisputed proof to him living four lives.<\/p>\n<\/div>

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Let’s get your viewers to know you better. What were the first signs of your inclination for the arts? How did your career develop, when did you realize you wanted to work in film?<\/p>\n<\/div>

I’ve always been drawn to anything artistic, creative, that type of thing. Growing up my parents thought I always spent to much time dreaming \u201cin the dream world\u201d. But for me, being imaginative was something in me I couldn\u2019t turn off. I drew, painted pictures from as far back as I can remember and once I hit school, things like creative writing and music took my attention.<\/p>\n

For a while I pursued a music career out of high school, which garnered some mediocre success but that\u2019s also when I first dabbled in film and television. The first time I stepped foot on a film set I knew I stepped into a different world! It was then I realized that film was for me, I just didn\u2019t know exactly what, as it all interested me.<\/p>\n<\/div>

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In an age that feels like everything is moving faster and faster, the preservation and transmission of History and its stories is more precious than ever. From this perspective, what do you hope to achieve with the series?<\/p>\n<\/div>

My hopes for the Secret History series is to give Indigenous history a true voice. It\u2019s not about throwing a proverbial rock through history\u2019s window, but instead \u201copening the door\u201d to let some fresh air in. This series brings an Indigenous perspective mainstream history has left out.<\/p>\n

I\u2019ve always believed if humanity took the time to learn about one another\u2019s cultures and belief systems, they would quickly realize that our similarities far outweigh our differences. Maybe this series can help bridge that cultural gap, if only by a small margin and at the very least offer a different, new point of view that might bring people, cultures closer together built on a better understanding of past events.<\/p>\n<\/div>

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As the Writer, Director and Producer of “SECRET HISTORY: The Wild West”, what has been, or is if still ongoing, your process in choosing your Editor, and how do you work with them?<\/p>\n<\/div>

Editors!, gotta love them and they so often get no recognition for their talents. There are stages to film-making: The film you write, the film you shoot and the film you end up with, and at all times they should be evolving. So if you have a better film at the end of the process than what you started out with, you can thank your Editor for that!<\/p>\n

What I look for in an Editor is someone who understands story, and most of all has respect for the content which in this case is the culture, and they also have to love what they do. Glenn Sakatch is the man I work with most. He\u2019s incredibly skilled at what he does and always goes that extra mile to put his own artistic flair into things. I couldn\u2019t imagine doing this series without him.<\/p>\n<\/div>

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When will the series starts being broadcast, would you like to reach an international audience and if so, why and how?<\/p>\n<\/div>

The series has already aired in Canada and is starting to win awards nationwide, so the stage is open for international sales! I feel the international audience would resonate with the themes presented and how we explore them. I know when I worked in Ireland I found the politics and history of the country to be so similar in nature to the plight of Indigenous people.<\/p>\n

Anyone who likes Indigenous cultures, and history, this show is for them, not to mention showcasing the amazing province of Alberta in all its glory. To inquire about sales go to: www.herdof1.com to submit your inquiry<\/p>\n<\/div>

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BIO<\/h4><\/span>
<\/div><\/div><\/div>

JULIAN BLACK ANTELOPE WRITER, DIRECTOR & PRODUCER<\/p>\n<\/div>

From the “Buckskin, Black Horse family of the Weasel People”, Black Antelope is a nationally & internationally recognized working actor (“The Flash”, “Hold the Dark”, “Tribal”, “Penny Dreadful”, “Condor”, “Blackstone”), who also brings a growing body of work behind the camera writing and producing on several feature films, documentary\u2019s and now his own television series Secret History (TM) : “The Wild West” as Showrunner, Director, & Star of.<\/p>\n

After a 10-year career in the Canadian music business, JBA\u2019s transition to film and television seemed an obvious choice. In addition to Acting and doing Stunt work, he began working in a variety of production capacities to round out a complete working knowledge of ALL aspects of the film and television industry.<\/p>\n

JBA\u2019s industry relationships, skills, experience and \u201chands on\u201d approach, make him a strong and valuable asset to film and television production and creative development where he continues to use his acting profile to leverage, build and maintain positive relationships with broadcasters and producers worldwide.<\/p>\n

Awards \/ Nominations<\/p>\n

. 2019 AMPIA Nominee-Best Dramatic Feature (Knuckleball)<\/p>\n

. 2017 Canadian Screen Award (CSA)<\/p>\n

Best Performance in a Guest Role Dramatic Series<\/p>\n

. 2017 AMPIA Nominee-Best Screen Writer\/Drama Under 30 (The Agreement)<\/p>\n

. 2017 CND Governor Generals Award<\/p>\n

Nominee for Canadian History (The Agreement)<\/p>\n

. 2016 AMPIA Nominee-Best Dramatic Feature (Empyrean)<\/p>\n<\/div><\/div><\/div>

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Links<\/p>\n

Secret History – TV Series
\nInstagram
\nFacebook
\nTwitter
\nMedia Release
\nProduction Reel
\nIMDb
\nSeries Trailer
\nSeason Overview<\/p>\n<\/div><\/div><\/div><\/div>

ITV 2023<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":39381,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-37601","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-en"],"yoast_head":"\nAN INTERVIEW WITH JULIAN BLACK ANTELOPE, DIRECTOR OF "SECRET HISTORY: THE WILD WEST" - World Film Festival in Cannes - Remember The Future<\/title>\n<meta name=\"description\" content=\"AN INTERVIEW WITH JULIAN BLACK ANTELOPE, DIRECTOR OF "SECRET HISTORY: THE WILD WEST"\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.world-film-festival.com\/en\/an-interview-with-julian-black-antelope-director-of-secret-history-the-wild-west\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AN INTERVIEW WITH JULIAN BLACK ANTELOPE, DIRECTOR OF "SECRET HISTORY: THE WILD WEST" - 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